Paintings



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PAINTINGS GALLERY





 




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A Moral Refugee, Empowerment Through Acceptance

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In the bases of being a moral Refugee. Being a refugee is not being a victim. As a refugee, you can empower yourself by believing your power, inner gentle strength and uniting with positive attitude organisations and people. You can find your way out from undesired circumstances. The road for empowerment is from accepting the situation you are in, not in a victimised way but in a clear headed, focus minded, looking for solutions and willing to carry on with always positive attitude to reach the destination. Even though being a refugee is a catastrophic life changing/transforming state/experience, you have to have right attitude to get over it and put your life into its rail. Refugees are generally victimised. The power to change anything comes within and let no fear and victimisation enter there.  Believe you can make a difference in your life. First have a clear look at where you are and then starting moving towards where you want to be without any hesitation . Remem...
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Driving Force Behind The Journey

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Studio Session 1: with Mina Salama and Joao Simoe We started the session one hour late around 2.30 pm at The Creative Arts Development Space (CADS) in Sheffield on 9/01/10, Thursday. We can only actually, physically start the session around 4.30. It sounds easy to do, Mina is playing live music with his oud and ney flute, I will be dancing on the board and painting with my body movements, my feet are my brush. What we do is not the actualisation of structure, we have to feel and connect with each other and one hundred percent mindfully being together is what enables me to create the paintings and enables Mina to compose his music. There were long discussions on the story and journey and how to blend them together to make our individually personal stories visible to the audience. Different experiences in a structured but also free form style come together and become a separate personality in itself. It all resolved when I went for a half an hour walk as the director-curator ...
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