Ayse Balko

                                    GALLERY

T relex Amazon Residency Reflections, I could write two posts to describe the amazing space that Trelex Amazon and Rainforest Expeditions provided for us, one for Refugio and one for TRC (Tambopata Research Centre.) The lodges are incredible. Being in a jungle and far away from the world is an exhilarating experience. Having a whole month in the rainforest and in this environment allowed me to relax and absorb the space, the people, the jungle and myself. The art of exploration could not get any more comfortable and luxurious.Was I spoiled? Yes, very much so and I love the memory that stays with me. I developed 2 major bodies of work during my residency in the Amazon at the Rainforest Expedition Lodges. One of them is a photography series and the other one is experimental electronic soundscapes. Experimental Soundscapes: Ayse Balko, Amazon, Come To Tower With Me                                         Listen on:     Soundcloud Photography Gallery Spac

 At the end, the sound meets with dance and  a painting is born.   The Heart Painting:  Size 2x1meter TO ME in 2013-14: With a curiosity and a want to see my HOW MANY (3-4-5) dimensional thought patterns and intentions on a canvas as 2-dimensional paint marks had been haunting me when I was practicing my tai-chi in my studio on a cold February evening in 2012. Tai-Chi Warrior 2x1 meter I stepped over a piece of board, poured some paints on it and carried on doing my ta-chi session. Since then my feet have been in many paint splashes across the world. Each painting is a map of intentions set, a non-verbal dialog. I feel as if my body is a brush of a calligrapher and I move with the breath. The calligrapher is the designer of the system and it is so vivid as the raw, primal force which can be connected through rituals. A Shaman performs the ritual with paint, sound and dance to connect with the calligrapher. THE PAİNTİNGS ARE MORE POWERFUL THAN ANY OF M

Size: 1x2meters PHOTO GALLERY  

This is my attempt to be invisible in a city. Ended up accumulating thousands of photos. These are random selection. GALLERY

Toast Magazine Review http://www.toastmagazine.net/uncategorized/countless-the-riverside-22512/ COUNTLESS @ RIVERSIDE Aysegul THORNETT’s above the bar gallery show was billed as a step into the subconscious mind. Oil paint, acrylic and pastel create the impression that, with this show, I have perhaps stepped into the dreams of a mad woman.  This Sheffield based painter, sculptor and performance artist uses canvas and cardboard to display the inner workings of a mind that is searching to find a balance between the culture she was raised in and the one that she now lives and works within.   The Riverside endeavour to support the local art scene and its upstairs room compliments the works on show. Its white space, flowing river and a smattering of locals who are eager to have a chat about the arts, enriching the works as only our city knows how.   The jumble of ideas collide and contrast resulting in works such as Loverman; a ghostly and alluring piece which is offset aga

2 weeks ago on Saturday, I did long and deep stretch. I felt my body wanted to do so. It felt good for my lower back and my groin area first until I went out for a run at the Mill House Park. I literally could manage to do half an hour jog and my right hip was in agony. It was the weirdness sensation in my inner leg and outer hip join. From the inside of my foot to off the knee, slightly inside towards back of the knee, there was this pain as if my muscles are being torn apart with each step. I had to walk back home under the rain gave me an insight on how the muscles are connected from my lower back to my foot. The first attempt to do some moves was last Wednesday on 26th November at the Bank Street Arts gallery with Herve and his alto sax. Although the week before Herve's reiki session eased my pain, my movements were restricted I dance and paint with my bare feet with live improvised music as one of my ongoing projects. Knowing I have limitations draws me back in at the