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After the Royal Arts Prize Exhibition, A Thank You Letter To My Supporters

Hello, What an amazing journey…  Thank you for making it happen.  I am hoping you’ve all received a thank you letter form me. If not, I’d blame the Royal Mail and will send you another one. I’d like to thank every each of you for your belief in me, for your friendship and trust. It has given me a different type of responsibility and a sense of belonging. I would also like to thank the Royal Arts Prize for their generous reduction of the application fee and Eaton Trust for their generous funding towards the print costs of 2 of my photographs. I wouldn’t have made it without any of you. It was like a puzzle coming together with one piece at a time. Two of my photos printed on gold-washed aluminium, 2 of the large mixed media paintings went sent with frames made by me from pieces of woods found in skips. I paid just over half of the exhibition fee (Thanks to Royal Arts Prize) and booked myself a bus ticket for the opening day. I arrived in London in the late afternoon...

Eternity

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 At the end, the sound meets with dance and  a painting is born.   The Heart Painting:  Size 2x1meter TO ME in 2013-14: With a curiosity and a want to see my HOW MANY (3-4-5) dimensional thought patterns and intentions on a canvas as 2-dimensional paint marks had been haunting me when I was practicing my tai-chi in my studio on a cold February evening in 2012. Tai-Chi Warrior 2x1 meter I stepped over a piece of board, poured some paints on it and carried on doing my ta-chi session. Since then my feet have been in many paint splashes across the world. Each painting is a map of intentions set, a non-verbal dialog. I feel as if my body is a brush of a calligrapher and I move with the breath. The calligrapher is the designer of the system and it is so vivid as the raw, primal force which can be connected through rituals. A Shaman performs the ritual with paint, sound and dance to connect with the calligrapher. THE PAİNTİNGS ARE MOR...

Contemporary Abstract Expressionism Oil Paintings 2011-2015

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Size: 1x2meters PHOTO GALLERY  

Butter Dark, A photo Essay

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This is my attempt to be invisible in a city. Ended up accumulating thousands of photos. These are random selection. GALLERY

Toast Magazine Oil Paintings Exhibition Review: COUNTLESS

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Toast Magazine Review http://www.toastmagazine.net/uncategorized/countless-the-riverside-22512/ COUNTLESS @ RIVERSIDE Aysegul THORNETT’s above the bar gallery show was billed as a step into the subconscious mind. Oil paint, acrylic and pastel create the impression that, with this show, I have perhaps stepped into the dreams of a mad woman.  This Sheffield based painter, sculptor and performance artist uses canvas and cardboard to display the inner workings of a mind that is searching to find a balance between the culture she was raised in and the one that she now lives and works within.   The Riverside endeavour to support the local art scene and its upstairs room compliments the works on show. Its white space, flowing river and a smattering of locals who are eager to have a chat about the arts, enriching the works as only our city knows how.   The jumble of ideas collide and contrast resulting in works such as Loverman; a ghostly and alluring p...

A Sense of Space with Herve Perez 1

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2 weeks ago on Saturday, I did long and deep stretch. I felt my body wanted to do so. It felt good for my lower back and my groin area first until I went out for a run at the Mill House Park. I literally could manage to do half an hour jog and my right hip was in agony. It was the weirdness sensation in my inner leg and outer hip join. From the inside of my foot to off the knee, slightly inside towards back of the knee, there was this pain as if my muscles are being torn apart with each step. I had to walk back home under the rain gave me an insight on how the muscles are connected from my lower back to my foot. The first attempt to do some moves was last Wednesday on 26th November at the Bank Street Arts gallery with Herve and his alto sax. Although the week before Herve's reiki session eased my pain, my movements were restricted I dance and paint with my bare feet with live improvised music as one of my ongoing projects. Knowing I have limitations draws me back in at the...

The Voice at the Migration Matters Festival, Commissioned by Arts on The Run

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The Voice is a 2 video projection on 3D objects sculpted by the artist. It is commisioned by the Arts on The Run, for the Migration Matters Festival. The Voice, explores the struggle to find their voices of immigrant/refugee artists in the UK. 2 video and audio installation on sculpted and distorted 3D surfaces. The project was funded by Arts on The Run and Migration Matters Festival i 2016. Artist: Ayse Balko

Journey of Unbelonging - Practice Session 1

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Studio Session 1: with Mina Salama and Joao Simoe We started the session one hour late around 2.30 pm at The Creative Arts Development Space (CADS) in Sheffield on 9/01/10, Thursday. We can only actually, physically start the session around 4.30. It sounds easy to do, Mina is playing live music with his oud and ney flute, I will be dancing on the board and painting with my body movements, my feet are my brush. What we do is not the actualisation of structure, we have to feel and connect with each other and one hundred percent mindfully being together is what enables me to create the paintings and enables Mina to compose his music. There were long discussions on the story and journey and how to blend them together to make our individually personal stories visible to the audience. Different experiences in a structured but also free form style come together and become a separate personality in itself. It all resolved when I went for a half an hour walk as the director-curator ...

Journey of UnBelonging, Commissioned by Journeys Festival

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Following the fantastic response in 2013 from our audiences, the local refugee community and arts organisations alike, Journeys Festival sought to produce a brand new piece of work for the East Midlands.  Artists were encouraged to explore new ideas, opportunities, and to develop partnerships or collaborations that would positively contribute towards their future work. From a strong pool of proposals a commissioning panel selected  A Journey of UnBelonging .  A Journey of UnBelonging:   A Journeys Festival commission  The piece was then developed and performed again at Journeys Festival 2014, and the  short moving image above was  screened in the ArtReach Nanoplex. In 2015 as part of Journeys Extra, Aysegul and Mina were reunited to perform A Journey of Unbelonging once more as part of a showcase at the  Platforma Conference in Leiceste r.  A Journey of UnBelonging: the Moving Image The pi...

Waiting Room Sketches

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   the  GALLERY